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Contemporary Asian art

Shigeo Toya’s Woods III 1991–92, installed for ‘Inscriptions and Excavations’, GOMA, March 2024 / © Shigeo Toya / Photograph: C Callistemon, QAGOMA

DIDACTIC: Woods III: Inscriptions and Excavations

LABEL: QIU 2004.143

LABEL: 1998.060 CHRISTANTO

APAP: From 'Japanese art' to 'art in Japan'

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An installation view of a textile work in red tones on a white gallery wall, with two visitors looking on.

ESSAY: Telia rumal textiles from South India

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LABEL: 2015.047 TANIGUCHI

LABEL: Works from 'Everything will fall into ruin' 1990-2009 YAO

LABEL: 2003.083 YANG FUDONG

LABEL: 2015.181a- YANG

LABEL: 2009.221 MANSUDAE ART STUDIO

ESSAY: Kazama’s Nonhuman crossing

ESSAY: Chim↑Pom

ESSAY: Koizumi’s Double projection

An installation view of a sculpture in the form of a bamboo temple suspended from the ceiling in a gallery space, with onlookers behind.

ESSAY: Iwasaki’s Reflection Model (Perfect Bliss)

ESSAY: Yoneda’s ‘Scenes’

A detail view of a work of art with a small gold flower symbol on a black background.

ESSAY: Yanagi’s Hinomaru (Rising sun)

ESSAY: Tadasu Takamine’s Baby Insa-dong

ESSAY: Nguyen-Hatsushiba’s ‘Memorial Projects’

ESSAY: Ozawa’s ‘Vegetable weapons’

ESSAYS: Morimura’s alter-egos

ESSAY: Kashiki’s fluid compositions

ESSAY: Kasahara’s

ESSAY: Michiko Kon’s unsettling photographs

ESSAY: Kusama’s pumpkins and flowers

ESSAY: Nobuyoshi Araki’s photographs

ESSAY: Ay-o’s spring pictures

Yayoi Kusama / The obliteration room installed for APT4 (before activation)

ESSAY: Kusama’s Obliteration room

ESSAY: Teppei Kaneuji’s White discharge works

An installation view of a sculpture taking the form of a deer made of glass balls and beads.

ESSAY: Kohei Nawa’s PixCell-Double Deer#4

ESSAY: Hiraki Sawa’s O