Edging and seaming 2013 explores the lives of Chinese factory workers and the impact that outsourcing has had on New Zealand’s largely migrant workforce. The two-channel video projection juxtaposes the artist’s Samoan mother, Lusi Tiatia, completing her final consignment of work for the Baby Factory — a chain of baby clothing and supply stores in New Zealand — before the client outsources garment construction to a factory in Guangzhou, China. Slowly panning across these two views of industry, the works simultaneously suggest commonalities and disjunctions between the two contexts.