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Writing the unspoken 1999

Artwork Writing the unspoken this artwork made of Wood, steel, light fittings, glass, writing paper and implements, envelopes, cushion, created in 1999-01-01
Accession No.
2000.018.001-3
Date Created
1999
Gallery location
Not on public display
Department
Contemporary Asian Art
Dimensions A
Three booths: 290 x 170 x 231cm (each) (installation size variable)
Media Category
Installation
Medium
Wood, steel, light fittings, glass, writing paper and implements, envelopes, cushion
Place Created
Brisbane
Credit Line
Purchased 2000. Queensland Art Gallery Foundation

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© Lee Mingwei

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Stories featuring this object

A man painted yellow, from head to toe, walks the streets of Brisbane, carrying a heart.

APT2–3

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LEE Mingwei; Writing the unspoken

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Exhibitions featuring this object

‘The 3rd Asia Pacific Triennial’

Sep 1999 - Jan 2000

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Classroom upside down 2006
Artwork A space for healing this artwork made of Metal implements, PVC poles, cloth, plastic objects, gold paint, vermillion red paint and sound component, created in 1999-01-01

A space for healing 1999

Other works from this Department

Artwork Angel this artwork made of Stickers and pencil on treated paper, created in 2007-01-01

Angel 2007
Artwork Untitled (Cyborg knee) this artwork made of Hard-paste porcelain, slip-cast, fired to 1555 degrees Celsius and with clear glaze, created in 2000-01-01

Untitled (Cyborg knee) 2000
Artwork Very very sweet medina (Home sweet home) (no. 2) this artwork made of Mixed media including wood, synthetic polymer paint on medium density fibreboard, glitter perspex, wheels, cassette tape, speakers, tube lights, fairy lights, stickers, folders, paper, created in 1999-01-01

Very very sweet medina (Home sweet home) (no. 2) 1999

Reproduction requests

Images of artworks on this website may be used for research, study and other related exceptions as defined by section 40 of the Copyright Act 1968 (as amended) without applying for specific permission. All other uses of the content of this site (where applicable).  Refer these requests to reproductions. For more information, see copyright and reproductions on the QAGOMA website.